Sunday, March 15, 2015

MWC_Edition100

February 23_RJ&AM

Today is the 100th (yes!!) Edition of MusicWithCoffee and we, the MWC group feels that this is a good opportunity to look back at the journey. Discussions on music and sharing songs is how it all started when we were all warming to each other.
The first post was on 18th November by Alladi Mahadevan and the second post was by Akila Natarajan. AM did the majority of the posts for the first few days. Then Ramana Ramanan Jagannathan came in and posted on a couple of days. Two posts on the same day got Krithika Viswanath as the third member.
The modus operandi of the group in expanding has been simple. Anyone who showed interest in the posts or shared a post on music (like how it happened with Divyaa Nedungadi and Sripriya Vijayaraghavan was asked if they would like to contribute. It is our luck that none of the people we approached turned down our request to join the group.
Deepa Kulkarni's first post was on December 3rd and Divya's was on December 10th. Sripriya's first post was on 12th of December and Aarthi's on 17th December. Around December 20th, the hashtags MusicWithCoffee and Editon# were formalized.
Aditi MuralidharGayathri SankaranSai Deepa NedungadiHaripriya SambasivanRamashree Alladi joined the team subsequently and have all contributed to the MWC Posts. Our newest member, Sindu Gopaal is awaiting her turn.
Then we decided to introduce concept of a Guest Edition. The auspicious day of Feb14 was chosen for this maiden attempt and who better thanGuru Thamaraiselvan, the master of words and louuve! wink emoticon
As a social experiment, we're glad that this group has come a long way and is more or less self sustaining. This is because the posts started through coordination between people who didn't know each other, but only through this group.
Today as the team hits an important milestone, We, The Group that has been United By Music, take this opportunity to thank all of you who have encouraged the posts with your Likes, comments and the folks who have been reading silently and listening to the songs. It is also heartening to know that there have been a few cases where people have come back to us, asking for specific posts.
Songs are just songs and music is just music unless we bring in ourindividual experiences into listening and our personal experience is what makes a few songs more interesting, unique and hence more important than others. The write ups that have accompanied the songs have invariably reflected these experiences, bringing in some nostalgia (Ramashree's post on Godavari or SriPriya's post on Tirupati) or a character (Benny Goodman) or bringing forth the story behind a song ( Bobby McFerrin's 'Don't Worry, Be Happy")
Also, the posts have been an enriching experience personally for the team as each team member has learnt a lot from the research for the songs to be posted and listening to various songs on youtube. And the fun of awaiting the posts every day, reading the write up and listening to the songs have more been like an icing on the cake. A mix of people ensured that the coverage was Heterogenous and the genres covered include carnation music, pop music, rock music, western classical, Hindustani, Traditional Folk Music, African Music, Music from Ted and of course film music.
Music has no language barriers said Wordsworth when he wrote about the Solitary Reaper. Whatever be the human emotions, language is just a carrier to convey the emotions.
Today's song from the movie Mozhi (Language).
Elango Kumaravel who played the famous Ravishastri role in Abhiyum Nanum was with a small group of people a few years back.
He had worked closely with the Mozhi team and was involved in their movie. He explained the movie as a life changer for him. His belief on music emerges from voice and instruments had taken a different turn during this movie. The effect that was required was bringing from the heart of a challenged individual on her realisation of music.
When the team thought of interacting with challenged individuals it sounded a bit odd on how they would speak about music. Finally decided to take it forward and they were in for a pleasant surprise. They saw challenged individuals who played drums & hummed tunes (to perfection). The effect it had on the movie is not trying to make a challenged understand music. Music exists in the heart, right from the womb of the mother.
Music lives everywhere and most importantly, in every soul.

MWC_Edition99

February 22_DK

Today's edition is the result of a bet I had with Alladi Mahadevan on the day India defeated Pakistan in the World Cup opener. Since, India won, Alladi had to do my post. But hum dono ne decide ki that this edition would be a collaboration between the two of us and we would dedicate a post to the entire MWC team. We were both keen on posting a Telugu song and when I suggested that we play 'Vedam la goshinche' from the movie 'Andhra Kesari', Alladi gaaru told me about his personal connect with the river.
Ramashree Alladi will now take over and tell us about her personal connect.
One of my earliest memories is sitting on the stone steps on the banks of the godavari in my mother's home town of narsapuram. the highlight of it was the sound of the river - a murmuring, continuous, extraordinarily soothing sound, even the memory of which makes my whole body relax, and brings a smile of peace to my lips.
as we grew up, we would sit there each summer, exchanging friendly banter among cousins, and singing snatches of the new songs we had learnt that year. the sound of the godavari was ever-present in the background, as soothing as tampura sruthi, played softly.
I had these rendezvous over many sweet childhood years. when i go back to the banks of the godavari as an adult now, i find myself listening with even more bliss, and gratefulness, to the song of the godavari. music, the view of those distant palms of the opposite side, and the cool breeze off the water remain inextricably blended in my mind.
And this seems to me the case with others too, judging my the number of songs that Godavari has inspired in films and outside. 'vedamla ghoshinche godavari comes to mind immediately. the 'godaramma' song from Ramadasu is another good one. sankarabharanam songs are all set against the backdrop of the godaravi....
Andhra Kesari is based on the life of an eminent freedom fighter from AP, Tangaturi Prakasam. He was also the first CM of AP.
****************************************
vedamlaa ghoshinche godavari
amaradhaamamlaa shobhille rajamahendri
shatabdhala charitagala sundara nagaram
gata vaibhava deeptulato kammani kavyam
raja raja narendrudu kakateeyulu
tejamunna meti doralu reddirajulu
gajapatulu, narapatulu yelina vuru
aa kadhalanni ninadinche goutami horu
shree vanee girijaashchiraya dadhato vakshomukhangeshuye
lokaanam sthiti maavahantya vihataam stri pumsayogorbhava
tevedatraya murtayastri purushaa sampujitaavassurai
rbhuuyaamsuhu purushottamambhuja bhavah shrikandharaashreyase
aadi kavita nannaya rasenichata
shrinadha kavi nivasamu pedda muchata
kavi sarvabhoumulakidi aalavalamu
nava kavitalu vikasinche nandanavanamu
dittamaina shilpala devalaaluu
kattu kadhala chitraangi kanaka medalu
kottukuni poye konni koti lingalu
veereshilingamokadu migilenu chalu
Movie Name : Andhra Kesari (1983)
Music Director : Satyam
Lyricist : Aarudra
Singer : S.P.Bala Subramaniam

MWC_Edition98

February 21_GS

When the little baby takes those first few steps alone, leaving the parental protective hands, it is a joy, a celebration. But as we grow up, we sometimes forget to 'walk alone' and look for more protective hands.
The great poet Rabindranath Tagore said

Walk Alone,

"If they answer not to your call walk alone
If they are afraid and cower mutely facing the wall,

O thou unlucky one,
open your mind and speak out alone.
If they turn away, and desert you when crossing the wilderness,

O thou unlucky one,
trample the thorns under thy tread,
and along the blood-lined track travel alone.
If they shut doors and do not hold up the light when the night is troubled with storm,

O thou unlucky one,
with the thunder flame of pain ignite your own heart,
and let it burn alone"

This is a very famous Bengali patriotic song 'Ekla Chalo re' written by Tagore in 1905 and was used in Indian freedom movement. It is also a favorite song of Mahatma Gandhi. We all would have heard this in many voices from Kishore Kumar to Amitabh Bachan to Shreya Goshal, but I'm sharing this song from one of my favorite band 'Swarathma'. This song also features a Baul musician Lakhan Das Baul.
(There needs to be a separate post on Baul musicians. Read if interested: http://en.m.wikipedia.org/wiki/Baul)

Notice in the video, he is playing an instrument called 'Dotara' used by Baul musicians (http://en.m.wikipedia.org/wiki/Dotara)

Lyrics/translation courtesy: http://en.m.wikipedia.org/wiki/Ekla_Chalo_Re

We need to remember to walk alone and fight our own battles, no matter what.

MWC_Edition97

February 20_SV

A capella means singing with any musical instrument accompaniments. This type of singing was originally practiced in churches and musical pieces were written specifically for such performances.
Now we have numerous Acapella groups that sign a variety of songs. 

The pick for the day is an Acapella group called Penn Masala, the world’s first hindi Acapella group. The group was formed almost 2 decades ago by students of University of Pennsylvania, who wanted to represent South Asian music through Acapella. The link below is their tribute to Hindi cinema from the 1940 to 2013/14. 

Thoroughly enjoyable!

https://www.youtube.com/watch?v=lErtjguuvSw

MWC_Edition96

February 19_SDN

My Debut here at MWC and I'm honoured. With the class quality of music i hear at MWC, i was a little apprehensive at first and now my 2 and a half year old son is humming this particular track throughout the day and i know what i want to put up here. We play Thaikkudam tracks almost every morning at our home and this particular one 'HAQ ALLAH' is our favourite among many others. 

This band has 19 members, Kerala based, founded by cousins Govind Menon & Siddarth Menon. They perform in various genres.

FYI, This song is originally taken from a 2008 film called Black and White starring Anil Kapoor, Shefali Chayya, etc.. and the music is by Sukhwinder Singh also sung by him and Hans raj Hans.
Sip on that Kaapi, tap your feet and get that adrenaline going for the day with this track :-)

(I'm posting this tonight itself, i have crazy long day 2mrw!!!)

https://youtu.be/_8qBwVxfAwk

MWC_Edition95

February 18_DN

Presenting yet another foot tapping number by Shubha Mudgal.
For your knowledge ,Shubha Mudgal grew up in Allahabad , India and initially dabbled with Kathak dance before taking Talim of classical music at the age of 16 at the insistence of her mother who exposed her to all kinds of music.
I remember, way back in the early 90's when ''Ali More Angana'' song became a big hit or rather what I call it a foot stomping number.. It became a chart-buster overnight and shot her to instant stardom. Here, she has shown her perpetual vocal magic in this sufi genre song.
Sing along-
Ali more angna daras dikha dum ali more angna daras dikha
Ishq mein tere jogan ban gayi (2)
Dil mera dole, eee heyy eyyeee
Cham cham bole payaliya mori payaliya re
Ali more angna daras dikha dum ali more angna daras dikha
Rahon mein teri palken bichaun (2)
Haan main tere sadke jaaun (2)
Vajf mein aakar main jhumungi (2)
Haan chaukhat teri chumungi main (2)
Ishq mein tere jogan ban gayi (2)
Dil mera dole, eee heyy eyyeee
Cham cham bole payaliya mori payaliya re
Ali more angna daras dikha dum ali more angna daras dikha (2)
Sun le araj tu ek birhan ki (2)
Haan raunak ban dil aangan ki (2)
Daaman dil khushiyon se saja de (2)
Haan meri wafa ka sila de de kuch (2)
Ishq mein tere jogan ban gayi (2)
Dil mera dole, eee heyy eyyeee
Cham cham bole payaliya mori payaliya re
Ali more angna daras dikha dum ali more angna daras dikha (2)
Kitni hasi hai aamad teri (2)
Haan roshan duniya meri ab (2)
Teri deewani hu jaane habibi (2)
Haan waari jaun mehboobi main (2)
Ishq mein tere jogan ban gayi (2)
Dil mera dole, eee heyy eyyeee
Cham cham bole payaliya mori payaliya re
Ali more angna daras dikha dum ali more angna daras dikha (2)

Monday, February 16, 2015

MWC_Edition94

February 17_RJ

One the occasion of Maha Shivarathiri, i share with you a song from the movie nAn Kadavul. Vaali's lyrics and Illayaraja's music help to make the song, in Vijay Prakash's voice, one of the most philosophical and powerful in recent times. Arthur C Wilson's camera and the way he portrays kaasi deserves special mention and a sample can be seen in this song.

http://youtu.be/oU3gr05cvzM

Note: This song forms the crux of Sri Rudhra, a powerful set of hymns about Lord Siva, present in the Yajur vedha. There is a famous theory about Sri Rudhra given by the paramaacharya of kanchi, Sri Chandrasekarendra Saraswathi Sankaracharya swami. Generally Vedhas are referred as 3 (trayee Veda). The Yajur Veda is in the middle. If we check what’s found in the middle of Yajur Veda, it’s the Rudhra hymns. They are present in the fourth chapter of the total seven chapters. If we further ponder in to what’s found in the middle of Rudhra, it’s the Name of lord Siva – famously called Siva Panchakshari (the 5 letters – Om nama Sivaya – in Sanskrit – given in the last line of the above present manthras). Hence, the hymns are very pious and should be treated with respect.

without much ado, the song 'Om sivoham Om sivoham, rudra nAmam bhajE' from the movie nAn kadavul. I have given below the lyrics and the meaning too

Chorus :
Hara Hara Hara Hara, Hara Hara Hara Hara, Mahadev !
Hara Hara Hara Hara, Hara Hara Hara Hara, Mahadev !

Ohm ....
Sarva Rudraya, Maha Rudraya, Kaala Rudraya, Kalpaandha Rudraya, 
Veera Rudraya, Rudha Rudraya, Ghora Rudraya, Agora Rudhraya, 
Marthaanda Rudhraya, Anda Rudhraya, Brahmaanda Rudhraya, 
Chanda Rudraya, Prachanda Rudraya, Ganda Rudraya, 
Soora Rudraya, Veera Rudraya, Bhava Rudraya, Bheema Rudraya,
Adhala Rudraya, Vidhala Rudraya, Sudhala Rudraya, 
Maha Thala Rudraya, Bajaa Thala Rudraya, 
Thalaa Thala Rudraya, Paathaala Rudraya ... Namo Namahaa ....

Male :
Ohm Shivo Hum, Ohm Shivo Hum
Rudra Naamam Bhaje Hum

Dialogue : Aham Brahmaasmi ( thou are that brahman)

Chorus :
Ohm Shivo Hum, Ohm Shivo Hum
Rudra Naamam Bhaje Hum, Bhaje Hum

Male :
Veera Bhadraya, Agni Nethraya, Ghora Souharaha
Sakala Lokaya, Sarva Bhoothaaya, Sathya Saakshaatkara

Chorus : 
Sambo Sambo Shankara

Male & Chorus :
Aaaa ... Ohm Shivo Hum, Ohm Shivo Hum
Rudra Naamam Bhaje Hum

Chorus :
Hara Hara Hara Hara, Hara Hara Hara Hara, Mahadev !

Chorus : Vedic Chanting 

~~ @@ ~~ Musical Bit ~~ @@ ~~

Male :
Anda Brahmaanda Koti, Akila Paripaalana 
(The one who rules / takes care of all the numerous universes around)

Poorana Jagathkaarana, Sathya Deva Devapriya
(The one who is whole. The one who is responsible / reason for the world. The one who is liked by the truthful gods.)

Vedha Vedhaartha Saara, Yagna Yagnomaya
(The one who stands as the real essence of Vedas. The one who is always present in the pure Havans)

Nishtala Dushta Nigraha, Saptha Loga Sourakshana
(The unshakable / stable one. The one who destroys all the bad people. The one who protects the seven worlds.)

Soma Soorya Agni Lochana, Swetha Rishabha Vaaghana
(The one who has eyes as the Moon, the Sun and the fire - Siva's three eyes are referred here. The one who has his vahana(vehicle) the white bull)

Soola Paani Bhujanga Bhushana, Tripura Nasa Rarthara
(One who has the Trishoola – the iron rod with three sharp ends. The one who wears a snake. The one who destroyed the three demons who had three types of forts (the thripuras) and who danced on the debris after destroying them.)

Yoma Kesa Maha Sena Janaka, Panchavaktra Parasuhasta Namaha
(The one whose hair is the sky/ eternal space.The progenitor of Mahasena (Mahasena is a name of Subrahmanya). . . The one with five faces. The one with axe in hand. I bow.)

Male & Chorus :
Ohm Shivo Hum, Ohm Shivo Hum
Rudra Naamam Bhaje Hum ... Bhaje Hum ...

Ohm Shivo Hum, Ohm Shivo Hum
Rudra Naamam Bhaje Hum ... Bhaje Hum ...

~~ @@ ~~ BG Music ~~ @@ ~~

Male :
Kala Trikala, Nethra Trinethra, Soola Trisoola Gaathram
(The one who knows all the three forms of time (past, present and the future). The one with three eyes. The one with the trishoola.)

Sathya Pravava, Dhivya Prakasa, Mantra Swaroopa Maatram
(The one who is like the flow of truth. The one who glows with sacred light. The one with the form of the sacred hymns.)

Nishpra Pankchadhi, Nishta Lankoham, Nija Poorna Bodha Hum Hum
(The one who is beyond the sphere of multiplicity. The one who is beyond all impurity (the one who is pure). The one who is the real complete whole)

Gathya Gathmaagam, Nithya Bramhogam, Swapna Kasogam Hum Hum
(The one who is to be seized (by devotees). The one who is ever Brahman (the whole). The one who is present in our dreams.)

Sachit Pramanam Om Om, Moola Pramegyam Om Om
(The one who is the proof of the being and the awareness. The one who is the object of knowledge.)

Aham Bramhasmi Om Om, Aham Bramhasmi Om Om
(This soul is the Brahman. I am Brahman (Brahman here is the ultimate god who is in everyone and who made everything).)

Male & Chorus :
Gana Gana Gana Gana, Gana Gana Gana Gana 
Sahasra Kanta Sapta Viharaki
(The one who resides in the sound of thousand bells)

Dama Dama Dama Dama, Duma Duma Duma Duma
Siva Dama Duga Nadha Viharaki
(The one who resides in the sound of the dumru referring to the small hand drum Siva carries a small hand)

Male :
Ohm Shivo Hum, Ohm Shivo Hum
Rudra Naamam Bhaje Hum ... Bhaje Hum ...

Note: Inputs taken from the net.