Showing posts with label Aditi. Show all posts
Showing posts with label Aditi. Show all posts

Monday, March 16, 2015

MWC_Edition124


March 17_AM

Today's MWC is a Tribute to ARR by the Students of Berklee College of Music. The Evergreen, Mesmerizing & Incredibly Beautiful “Yeh Jo Des Hai Tera” From the Movie Swades has been so beautifully presented that it is sure to tug your heart strings. 

With not much of introduction needed for this popular song, Go ahead & watch this near perfect
version, You are sure to shed that Patriotic Tear!

Lyrics & Meaning:
yeh jo des hai tera swades hai tera
tujhe hai pukaara
ye wo bandhan hai jo kabhi toot nahi sakta
This country of yours, your motherland
calls out to you..
this is a bond which can never break
mitti ki hai jo khushboo tu kaise bhulaayega
tu chaahe kahin jaaye tu laut ke aayega
nayi nayi raahon mein dabi dabi aahon mein
khoye khoye dil se tere koi ye kahega
how can you ever forget the scent of the earth (of your homeland)
wherever you go, you will come back.
in new paths (that you take), in quiet sighs
to your lost heart, someone will say
[the someone here is nothing but an inner voice of himself.]
ye jo des hai tera swades hai tera
tujhe hai pukaara....
ye wo bandhan hai jo kabhi toot nahi sakta..
tujh se zindagi
hai ye kah rahi
sab to paa liya
ab hai kya kami
Your life is saying to you,
you have achieved everything,
what's there that is still missing then?
yoon to saare sukh hain barse
par door tu hai apne ghar se
aa laut chal tu ab deewane
jahaan koi to tujhe apna maane
aawaaz de tujhe bulaaye wahi des
as such, all comforts are there for you,
but you're far from your home
come, let's go back, O crazy one
where at least someone will call you their own
that country of yours calls you..
yeh jo des hai tera....
ye pal hai wahi,
jis mein hai chhupi
poori ek sadi
saari zindagi
It's this very moment,
in which there is hidden,
an complete century,
an entire lifetime.
tu na poochh raaste mein kaahe
aaye hain is tarah doraahe
tu hi to hai raah sujhaaye
tu hi to hai ab jo ye bataaye
jaaye to kis disha mein jaaye, wahi des..
Don't you ask why there is
a two-way fork on the road..
[this represents a dilemma]
you are the one who should suggest the path
you are the one who would tell
in which direction to take, that country..
ye jo des hai tera....
Song:

Sunday, March 15, 2015

MWC_Edition107

March 02_AditiM

Today's MWC is A Song for Children & Equally enjoyed by Adults for its Melodious Music and great beats. A Timeless Classic that goes on repeat mode once heard. The simple pleasures of Nature are meant to savored, thus it says! So, Sing along, Have fun or Prance around like my lil one :):)

Lyrics :
I like the flowers
I like the daffodils
I like the mountains
I like the rolling hills
I like the fireside
When the lights are low
Boom de-ahh-da
Boom de-ahh-da
Boom de-ahh-da
Boom de-ahh-da

Monday, February 16, 2015

MWC_Edition93‬

February 16_AditiM

When Haripriya Sabasivam posted “Surangani” A few days back, the other one that immediately came to my mind was this peppy tamil folk song. Those were the days of DD and this lady was one of the most prominent faces and still remains the Pioneer of Good Old Tamil Folk Music.
Vijayalakshmi Navaneethakrishnan along with her husband Navaneethakrishnan has conducted several years of research and study on Tamil folk music and dances and devoted a lifetime to research, collection, revival, and documentation of ancient Tamil folk songs and dances, many of which are fast becoming obsolete.
Both Professors of Folk Arts and Culture at the Madurai Kamaraj University, the couple continue their studies on folk art and culture published various articles, given talks & even authored books on folk art.
This fast paced number is sung in praise of Mariamma. This song also has various versions & were a regular as a part of Dance festivals & Especially at School Culturals 
Presenting the famous Vijayalakshmi Navaneethakrishnan’s “Onaam Padi eduthu”
https://www.youtube.com/watch?v=m7kIWCIADqc

Sunday, February 8, 2015

MWC_Edition86‬

February 9_AM

"Agaval" is the form of blank verse, close to speech. The Vinayagar agaval is chanted on Lord Ganesha, was written by tamil poetess Avaiyar. Considered to be her greatest composition and in comparison one of the best sacred poems ever, this was sung in the 14th Century during the golden era of the Cholas. This composition consists of esoteric values and meaning of our existence and the knowledge one has to seek in his/her life time.

Vinayagar Agaval defines a religious path, its application as a spiritual tool begins during concentration on a physical image of Ganesh with the use of the Agaval's description of spiritual belief and practice, and aspects of the teachings on human life attributed to the deity. It is also known to have given the complete shastras on Yoga. 
The Agaval speaks to us on many levels. Written at the culmination of her life, this, Auvaiyar’s last work, speaks to us of an old woman’s readiness for death. Yet it speaks with gratitude and wonder of the poetess’s journey through life, seen as a gift from the God, testifying to the completeness of the poetess’s human experience. Simultaneously it celebrates a new birth, her emergence from the womb of the God who holds the material universe in his belly. She speaks explicitly of her new immortality, of her experience of her real state, of Siva within the eternal sound, of bliss at the boundary of darkness and light. Although the individual may die, the soul having merged with the cosmos does not. Interleaved within the poem is the presence of Vinayaka, the breath taking God of new beginnings. 
A poem with very deep insight & thought, it is widely believed that reciting the Vinayagar Agaval every day, one will realize his true potential.
Below's the version sung by Seerkazhi Govindarajan.
Listen! Enjoy! May Lord Ganesha shower his blessings!
https://www.youtube.com/watch?v=UWcZavzAy8U

Friday, January 30, 2015

MWC_Edition76

January 30_AM

Marking the Month of Makaram & Celebrating 50 years of the Legend Shri. K J Yesudas, Today I present his most famous rendition of “Harivarasanam”, that has always remained an all-time favorite. This song is a finale in all his concerts, by popular demand. The song composed in the ashtakam metre was written by Kambangudi Kulathur Srinivasa Iyer and it was Swami Vimochanananda who sang in his beautiful voice and popularized Harivarasanam by travelling throughout the South India.
Also known as the Hari Haratmaka Ashtakam, it is sung when the sanctum sanctorum of the Sabarimala Ayyappa temple close for the day at night
Sabarimala opens during the pilgrimage season (November to January) and also on the first day of every Malayalam Era. VR Gopala Menon, from Alapuzha used to accompany Thirumeni Eashwaran Namboothiri, the Melshanthi (head priest), to Sannidhanam every time, and would stay there by himself even when the temple was closed, remaining undisturbed by the wild animals. Later, when Devaswom Board was formed, it is believed that he was asked to move out. He eventually died at a tea estate at Vandiperiyar.
Gopala Menon used to recite "Harivarasanam" with devotion during his time at Sannidhanam, and when Thirumeni Eashwaran Namboothiri heard about the passing away of the Mr. Menon, he was deeply saddened. At the end of the day's rituals, the Namboothiri was about to close the doors of the Sannidhanam when he remembered the dedication and sacrifice of the Gopala Menon and he then began to recite "Harivarasanam"' starting a nostalgic tradition that remains unbroken till date.
Today, as the final verses are being sung, all the assistant Santhis (priests) leave the Sreekovil one by one. As the song ends, only the Melsanthi is inside. He extinguishes the lamps one at a time and closes the doors for the night.
.A lullaby sung to put Lord Ayyappa to sleep, the Music is composed in Madhyamavathi raga by renowned music director G. Devarajan.
Listen & Stay Blessed!
Lyrics & Meaning:
The lyrics and meaning of Harivarasanam are as follows:

Harivarasanam Viswamohanam, Haridadhiswaram Aaradhyapadhukam, Arivimardhanam Nithyanarthanam, Hariharathmajam Devamashraye, Saranam Ayyappa Swamy Saranam Ayyappa, Saranam Ayyappa Swamy Saranam Ayyappa.

One who is seated on the supreme Simhasana. One who enchants the Universe. One whose holy feet is worshipped by Surya. One who kills the enemies of good thought and who enacts cosmic dance every day. Oh Son of Hari And Hara,I take refuge in you Ayyappa, I take refuge in you Ayyappa.

Saranakirtanam Bakhtamanasam, Bharanalolupam Narthanalasam, Arunabhasuram Bhoothanayakam, Hariharathmajam Devamashraye, Saranam Ayyappa Swamy Saranam Ayyappa, Saranam Ayyappa Swamy Saranam Ayyappa.

One whose mind gladdens on hearing Sharana Gosham,One who is a great ruler of the Universe, One who loves to dance, One who shines in the rising Sun, One who is the master of all beings, Oh Hariharaputra Deva, I take refuge in you Ayyappa, I take refuge in you Ayyappa.

Pranayasathyakam Praananayakam, Pranathakalpakam Suprabhanjitham, Pranavamanidram Keerthanapriyam, Hariharathmajam Devamashraye, Saranam Ayyappa Swamy Saranam Ayyappa, Saranam Ayyappa Swamy Saranam Ayyappa.

One whose soul is truth,One who is the darling of all souls,One who created universe, Onewho shines with a glittering Halo,One who is the abode of “OM”, One who loves songs, Oh Hariharaputra Deva, I take refuge in you Ayyappa, I take refuge in you Ayyappa.

Thuragavahanam Sundarananam, Varagadhayudham Vedavavarnitham, Gurukrupakaram Keerthanapriyam, Hariharathmajam Devamashraye, Saranam Ayyappa Swamy Saranam Ayyappa, Saranam Ayyappa Swamy Saranam Ayyappa.

One who has a pretty face One who rides a horse,One who has a pretty face,One who has the blessed mace as weapon,One who bestows grace like a teacher,One who loves songs,Son of Hari and Hara,I take refuge in you Ayyappa, I take refuge in you Ayyappa.

Tribuvanarchitam Devathathmakam, Trinayanam Prabhum Divyadeshikam, Tridashapoojitham Chinthithapradam, Hariharathmajam Devamashraye, Saranam Ayyappa Swamy Saranam Ayyappa, Saranam Ayyappa Swamy Saranam Ayyappa.

One who is worshiped by the three worlds,One who is the soul of all gods,One who is the lord of Shiva,One who is worshipped by devas,One who is who is worshipped three times a day,One whose thought is fulfilling,Son of Hari and Hara I take refuge in you Ayyappa, I take refuge in you Ayyappa.

Bhavabhayapaham Bhavukavaham, Bhuvanamohanam Bhoothibhooshanam, Dhavalavahanam Divyavaranam, Hariharathmajam Devamashraye, Saranam Ayyappa Swamy Saranam Ayyappa, Saranam Ayyappa Swamy Saranam Ayyappa.

One who destroys fear,One who brings prosperity,One who is enchanter of universe,One who wears holy ash as ornament,One who rides a white elephant,Son of Hari and Hara,I take refuge in you Ayyappa, I take refuge in you Ayyappa.

Kalamrudusmitham Sundarananam, Kalabhakomalam Gathramohanam, Kalabhakesari Vajivahanam, Hariharathmajam Devamashraye, Saranam Ayyappa Swamy Saranam Ayyappa, Saranam Ayyappa Swamy Saranam Ayyappa.

One who blesses with enchanting smile,One who has is very pretty,One who is adorned by sandal paste,One who has a pretty mien,One who is a like a lion to the elephants,One who rides on a tiger,Son of Hari and Hara,I take refuge in you Ayyappa,I take refuge in you Ayyappa.

Srithajanapriyam Chinthithapradam, Sruthivibhushanam Sadhujeevanam, Sruthimanoharam Geethalalasam, Hariharathmajam Devamashraye, Saranam Ayyappa Swamy Saranam Ayyappa, Saranam Ayyappa Swamy Saranam Ayyappa.

One who is dear to his devotees,One who fulfills wishes,One who is praised by Vedas,One who blesses life of ascetics,One who is the essence of Vedas,One who enjoys divine music,Son of Hari and Hara,I take refuge in you Ayyappa, I take refuge in you Ayyappa.

“Swamiye Saranam Ayyappa”.

https://www.youtube.com/watch?v=rcQCkkVKC5w

Tuesday, January 20, 2015

MWC_Edition66

January20_AditiM

With the today's edition of MWC handed over to me, the first song that came to my mind was this Epic Number by the Genius A R Rahman. I also did realize that he has not been covered in this series at all!

Giving a whole new meaning to 'World Music', ARR has come up with this brilliant Traditional Buddhist & Jordanian Composition featuring Jordanian singer --Farah Siraj along with Nepalese Buddhist Nun Ani Choying. Farah Siraj is a Jordanian vocalist who has performed at some of the prestigious world platforms. Ani Choying Drolma is a Buddhist nun from Nepal is known for bringing many Tibetan Buddhist chants and feast songs to mainstream audiences.

Motherhood, Compassion & Happiness being the theme of this simple song, it has been brilliantly put together by some mind blowing music. Starting with the traditional Nepalese Buddhist hymn as the base, it takes many twists & turns from there bringing together diverse cultures and musical genres. Along with these talented ladies, the blend of lovely background vocals, the brilliant bassist, Prasanna's guitar & Sivamani's percussion, it takes you through many musical moods and styles thus creating some amazing fusion.

The Hindi Lyrics have been penned by Prasoon Joshi. This was the first track of Coke Studio-Season 3 which had some more brilliant compositions. I hope you guys enjoy as much as I did! Infact, My lil one simply loves this number. 

https://www.youtube.com/watch?v=wlaZSx6tqRo


Lyrics & Meaning

Tu Zariya, hun mein zariya (You're a path, so am I)
Aur uski kirpa, dariya dariya (And His compassion, like an ocean..an ocean)
Hain jo ankhiya nirmal, duniya nirmal (The world is pure, if pure is your vision)
Chalka..chalka, chhal chhal chhal chhal (Brimming o'er, brimming o'er, on and on)

Ho zuba koyeebhi (Whichever language, doesn't matter)
Bol dil se tu bol (When from the heart, words you utter)
Ya misri si ho (Like sugar maybe)
Ya shahad si ho (Or even like honey)

Anti al umm (You are the mother)
Anti il hayaa (You are the life)
Anti alhob (You are love)
Anti lee aldunya (You are the world to me)
Anti lee aldunya (You are the world to me)

Tu Zariya, hun mein zariya (You're a path, so am I)
Aur uski kirpa, dariya dariya (And His compassion, like an ocean..an ocean)
Hain jo ankhiya nirmal, duniya nirmal (The world is pure, if pure is your vision)
Chalka..chalka, chhal chhal chhal chhal (Brimming o'er, brimming o'er, on and on)

Reedaha, reedaha (I love her, I love her)
Kefima, reedaha (However it may be, I love her)
Teflatan ya halee (She is a young beauty)
Wil asaal reegaha (In her voice there is honey)